After 700 Years Of Doing What He Was Built For,
He’ll Discover What He Was Made For.
What if mankind had to leave Earth and somebody forgot to turn the last robot off? After hundreds of years doing what he was built for, WALL•E discovers a new purpose in life when he meets a sleek search robot named EVE. EVE comes to realize that WALL•E has inadvertently stumbled upon the key to the planet's future, and races back to space to report to the humans. Meanwhile, WALL•E chases EVE across the galaxy and sets into motion one of the most imaginative adventures ever brought to the big screen.
Trailers
Teaser
Trailer
T H E C H A R A C T E R S
Live Action
For the first time, a Pixar film featured brief scenes with live actors. While the studio had broken all kinds of ground in computer animation, the prospect of working on a traditional live-action set was enough to get the crew excited. Along with the rare chance to coach performances and see immediate results. the Pixar team was able to enjoy some serious catering.
Pantomime
The filmmakers decided that WALL•E should owe a silent debt to both R2-D2 and Buster Keaton, cinematic predecessors who proved how much can be conveyed without words. The robot would be the loneliest character Pixar had worked with, and the filmmakers crafted ways for him to perform the first act entirely in pantomime.
Robo Everything!
Captain’s Log
WALL-E and EVE
WALL•E
WALL•E (Waste Allocation Load Lifter Earth-Class) is the last robot left on Earth, programmed to clean up the planet, one trash cube at a time. However, after 700 years, he’s developed one little glitch—a personality. He’s extremely curious, highly inquisitive, and a little lonely.
M-O
M-O (Microbe-Obliterator) is a cleaner-bot programmed to clean anything that comes aboard the Axiom that is deemed a “foreign contaminant.” M-O travels speedily around the Axiom on his roller ball, cleaning the dirty objects he encounters.
Auto
Auto is the Axiom’s autopilot, who has piloted the ship through all of its 700 years in space. A carefully programmed robot in the form of the ship’s steering wheel, Auto’s manner is cold, mechanical, and seemingly dutiful to the captain. Unknown to all the Axiom crew, a hidden mandate exists in Auto’s programming. Auto is determined to execute these secret orders at any cost, regardless of the consequences for the inhabitants of the Axiom.
Captain
Captain is the current commander of the Axiom. Trapped in a routine, like WALL•E, the captain longs for a break in the tiresome cycle of his so-called life. His uneventful duties are simply checking and rechecking the ship’s status with Auto, the autopilot. When he is informed of a long-awaited discovery by one of the probe-droids, he discovers his inner calling to become the courageous leader he never could have imagined and plots a new course for humanity.
John And Mary
John and Mary are two of the humans living on the Axiom, where they have settled into a life of pampered luxury. The arrival of WALL•E jolts them from their daily routines and causes them to realize the existence of one another, and that there may be more to life than floating around on their high-tech deck chairs.
T H E W O R L D
The Truck
Trash Planet
The Language of Sound
Set in a time and place yet to exist, WALL•E required an entirely original language of sound. Because the film featured few humans and almost no traditional dialogue, every beep or clank would have to mean something. To answer the challenge, the filmmakers turned to the father of modern sound design, legendary Star Wars veteran
Ben Burtt.
Earth
The dystopian planet of WALL•E was a blend of the fantastic and familiar. Audiences needed to recognize Earth but also understand how things had gone wrong on such a massive scale. In a short scene that followed WALL•E on his daily routine, the filmmakers wanted to reveal the planet's history in entirely visual terms. Dubbed “The Walk Home,” the segment used 10 of the most complicated sets ever created by Pixar, at the time, to tell a wordless, one-minute story.
Truck
Even a robot on a dystopian planet needs a place to call home. At first WALL•E’s truck is enlivened only by a cockroach and a Hello, Dolly! video. The atmosphere changes when EVE comes in. “We wanted it to feel really romantic,” explains Danielle Feinberg, director of photography for lighting. “So he plugs in a cord and turns on the Christmas lights he’s got strung all over and you immediately feel we’re in this nice, cozy intimate interior and this is WALL•E’s date night.“
Space
Every film presents new opportunities for Pixar to interpret and design environments, imaginary or not. Using computers makes the art design choices as limitless as outer space. For WALL•E, the goal was not to reinvent space but to make design choices to enhance the story. The filmmakers wanted to ensure the audiences would be immersed in the story's action so they made a design choice to cheat the stars closer to camera than they would actually be in space so that the stars would move in the frame and allow the viewer to easily perceive the movement of the characters.
Axiom
The luxury spaceship Axiom cuts an impressive profile. But unlike the mammoth space vehicles in most science fiction epics, it wasn’t designed to inspire fear or engage in deep space battle. Instead the Pixar team envisioned the last refuge of a consumer culture, a self-contained world built by the Buy n' Large Corporation, loaded with excess and wandering adrift with the remnants of human race.
